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Blake, Bataille, and the accidental processes of material history in Milton.

• Authors : McConnell, Will

• Source: Clio. Summer97, Vol. 26 Issue 4, p449-472. 24p.

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Lively Effigies: Memorial Ephemera.

• Authors : Ezell, Margaret J. M.¹

• Source: Eighteenth-Century Life. Apr2020, Vol. 44 Issue 2, p136-157. 22p. 5 Black and White Photographs.

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Das Leben der Bilder. Eine Theorie der visuellen Kultur.

• Authors : Groebner, Valentin (AUTHOR)

• Source: Historische Anthropologie. 2009, Vol. 17 Issue 2, p285-286. 2p.

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"EU SOU UMA CIDADE": PERSPECTIVAS DE ANÁLISE SOBRE EDUCAÇÃO, URBANIZAÇÃO E SANITARISMO NAS AMÉRICAS A PARTIR DA ANIMAÇÃO ENVIRONMENTAL SANITATION (1945).

• Authors : Siqueira Dias, Michele Aparecida¹ ; de Castro Broda, Paula²

• Source: Esboços: Historias em Contextos Globias. set-dez2021, Vol. 28 Issue 49, p834-853. 20p.

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Relatos visuales en tiempos de crisis: transferencias culturales y apropiaciones políticas en las crónicas festivas.

• Authors : SALAZAR BAENA, VERÓNICA¹

• Source: Fronteras de la Historia. jul-dic2021, Vol. 26 Issue 2, p116-139. 24p.

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Aprendendo com roteiros a comunicar por carta geográfica: cultura visual institucional de sertões e fronteiras conquistadas (século XVIII).

• Authors : DE MOURA, DENISE A. S.¹

• Source: Fronteras de la Historia. jul-dic2021, Vol. 26 Issue 2, p8-37. 30p.

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PLURALISM AS DOGMATISM.

• Authors : Mitchell, W. J. T.

• Source: Critical Inquiry. Mar1986, Vol. 12 Issue 3, p494-502. 9p.

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THE POLITICS OF GENRE: SPACE AND TIME IN LESSING'S 'LAOCOON.'.

• Authors : Mitchell, W. J. T.

• Source: Representations. 1984, Issue 6, p98-115. 18p.

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LAS RELACIONES PÚBLICAS, LA COMUNICACIÓN VISUAL Y EL MITO DEL CAPITALISMO TRANSNACIONAL (1943-1950).

• Authors : Goyeneche-Gómez, Edward¹

• Source: Historia Contemporanea. 2021, Vol. 66, p493-522. 30p.

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DEMOCRACIA. ICONOGRAFÍA POLÍTICA DE LOS CONCEPTOS FUNDAMENTALES DE LA MODERNIDAD.

• Authors : CAPELLÁN DE MIGUEL, GONZALO¹

• Source: Historia y Politica: Ideas, Procesos y Movimientos Sociales. jul-dic2020, Issue 44, p173-217. 45p.

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Discerning Space, Situating Self: Discovery and Representation of the Sublime Landscape in Zhang Chengzhi's Texts.

• Authors : Xiayin Dang¹

• Source: Archív Orientalní. 2020, Vol. 88 Issue 2, p269-291. 23p.

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Visões do Império: a coleção fotográfica da brigada de estudo e construção do caminho de ferro de Moçâmedes (c. 1907 - c. 1914).

• Authors : SILVEIRA PEREIRA, HUGO^1,2

• Source: Revista de Historía da Sociedade e da Cultura. 2020, Vol. 20, p171-196. 26p.

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Komunikace a roztok: K POJETÍ MÉDIA U RAYMONDA WILLIAMSE.

• Authors : Šebek, Josef¹

• Source: Ceska Literatura. 2019, Issue 5, p684-710. 27p.

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EVLİYÂ ÇELEBİ SEYAHATNÂME'SİNDEKİ BATILI RESİMLERİN EKFRASTİK ANLATIMI VE KÜLTÜREL-ARADALIK.

• Authors : KAYA, Nilay

• Source: Journal of Turkish Studies. Dec2018, Vol. 50, p265-278. 14p.

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Capturing Capitalism's Work: Competing Photo-Narratives of the Bracero Program.

• Authors : Toffoli, Erica¹

• Source: Radical History Review. 10/1/2018, Vol. 18 Issue 132, p126-143. 18p.

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El Dorado in the White Pines: Representations of Wilderness on an Industrial Frontier.

• Authors : Angus, Siobhan¹

• Source: Radical History Review. 10/1/2018, Vol. 18 Issue 132, p47-67. 21p.

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Morning, Paramin: Derek Walcott, Peter Doig, and an Ekphrasis of Relation.

• Authors : Fumagalli, Maria Cristina¹

• Source: NWIG: New West Indian Guide / Nieuwe West-Indische Gids. 2018, Vol. 92 Issue 3/4, p245-273. 29p.

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History, memory and the meaning of place: the renovation of Sidnā 'Alī mosque as a nexus of Palestinian, Arab and Islamic identity in Israel.

• Authors : Peled, Kobi¹

• Source: Journal of Israeli History. Mar2018, Vol. 37 Issue 1, p61-85. 25p.

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Imagens da desigualdade em fotolivros do Rio de Janeiro: a visualidade na história de um conceito.

• Authors : Inez Turazzi, Maria¹

• Source: Estudos Ibero-Americanos. jan-abr2018, Vol. 44 Issue 1, p105-119. 15p.

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Violencia, memoria y mito. Espectacularización de la muerte en la fotografía de Isidro Velázquez (Argentina).

• Authors : Barrios, Cleopatra¹ ; Giordano, Mariana²

• Source: Estudos Ibero-Americanos. jan-abr2018, Vol. 44 Issue 1, p61-75. 15p.

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Radicalizing Premodern Space: A Perspective from the Late Medieval Ottoman World.

• Authors : Salgırlı, Saygın¹

• Source: Radical History Review. Jan2018, Vol. 2018 Issue 130, p45-61. 17p.

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БИТКА НА ЛЕГЕТУ (КОД ЧЕВРНТИЈЕ) КАО ПОДСТИЦАЈ ВИЗУЕЛНОГ УОБЛИЧАВАЊА ЈЕДНОГ МЕСТА СЕЋАЊА У МЕЂУРАТНОМ ПЕРИОДУ.

• Authors : БОРОЗАН, Игор¹ ; МИЛИЋЕВИЋ, Милић Ј.¹

• Source: Istorijski Casopis. 2017, Vol. 66, p453-475. 23p.

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La memoria en los ojos. Reflexiones sobre imágenes e historia: ¿podemos definir un repertorio colombiano?

• Authors : Merlo, Alessandra¹

• Source: Memoria y Sociedad. ene-jun2016, Vol. 20 Issue 40, preceding p10-24. 16p.

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Reflections on Objects, Spirits and Photographs from a Present Becoming Damaged Future.

• Authors : Kalantzis, Konstantinos (AUTHOR)

• Source: History & Anthropology. Oct2015, Vol. 26 Issue 4, p504-514. 11p.

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Monastic 'Governmentality': Revisiting 'Community' and 'Communalism' in South Asia.

• Authors : Chatterjee, Indrani¹

• Source: History Compass. Oct2015, Vol. 13 Issue 10, p497-511. 15p.

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Reviewing Representation: The Subject-object in Pre-Hispanic and Colonial Inka Visual Culture.

• Authors : Dean, Carolyn¹ (AUTHOR)

• Source: Colonial Latin American Review. Dec2014, Vol. 23 Issue 3, p298-319. 22p. 3 Color Photographs.

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Jean-Léon Gérôme and Polychrome Sculpture: Reconstructing the Artist's Hierarchy of the Arts.

• Authors : Lippert, Sarah J.¹ (AUTHOR)

• Source: Dix-Neuf. Apr2014, Vol. 18 Issue 1, p104-125. 22p.

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UTOPÍA EN PARAGUAY: MEMORIA Y TRANSMISIÓN EN LOS RELATOS SOBRE EL PASADO.

• Authors : DE OLEAGA, MARISA GONZÁLEZ¹

• Source: Historia y Politica: Ideas, Procesos y Movimientos Sociales. ene-jun2014, Issue 31, p309-332. 24p.

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Curatorial Reading and Endless War.

• Authors : Hensley, Nathan K.

• Source: Victorian Studies. Autumn2013, Vol. 56 Issue 1, p59-83. 25p. 1 Color Photograph, 3 Black and White Photographs.

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Cuerpos in/a-propiados: carte-de-visite y las nuevas ciudadanías en la pardocracia venezolana postindependentista.

• Authors : González-Stephan, Beatriz¹

• Source: Memoria y Sociedad. ene-jun2013, Vol. 17 Issue 34, p14-32. 19p.

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Au seuil des bas-fonds: Footnotes in the mystères urbains.

• Authors : Wigelsworth, Amy¹ (AUTHOR)

• Source: Dix-Neuf. Nov2012, Vol. 16 Issue 3, p243-259. 17p.

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Imagen y ciencias sociales: trayectorias de una relación.

• Authors : Cabrera, Marta¹ (AUTHOR) ; Guarín, Oscar^2,3 (AUTHOR)

• Source: Memoria y Sociedad. jul-dic2012, Vol. 16 Issue 33, p7-22. 16p.

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Bibliography.

• Source: Landscape & History Since 1500. 2002, p238-251. 14p.

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Select Bibliography.

• Authors : Matless, David

• Source: Landscape & Englishness. 2001, p349-356. 8p.

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Tradición o revolución: La invención del arte colonial en la historiografía colombiana, en la década de 1960.

• Authors : Rojas Cocoma, Carlos^1,2,3,4

• Source: Memoria y Sociedad. ene-jun2012, Vol. 16 Issue 32, p54-69. 16p.

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Reversing the Tapestry: Prison of Love in Text, Image, and Textile.

• Authors : Francomano, Emily C.¹

• Source: Renaissance Quarterly. Winter2011, Vol. 64 Issue 4, p1059-1105. 47p. 1 Black and White Photograph.

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A MÃO DE AFONSO COSTA.

• Authors : Pinheiro, Nuno¹

• Source: Ler Historia. 2010, Issue 59, p273-282. 10p. 1 Black and White Photograph.

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Paralytic Animation: The Anthropomorphic Taxidermy of Walter Potter.

• Authors : Creaney, Conor

• Source: Victorian Studies. Autumn2010, Vol. 53 Issue 1, p7-35. 29p. 10 Black and White Photographs.

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Prophets, Saints, and Matriarchs: Portraits of Old Women in Early Modern Italy.

• Authors : CAMPBELL, ERIN J.¹

• Source: Renaissance Quarterly. Fall2010, Vol. 63 Issue 3, p807-849. 43p. 7 Color Photographs.

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"We Want Pictures so Kodak as You Go": Promoting Winter Recreation in Banff in the 1920s.

• Authors : Wheeler, Lauren¹

• Source: Past Imperfect. 2009, Vol. 15, p6-35. 30p. 4 Black and White Photographs.

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Natural Representation: Diagram and Text in Darwin's On the Origin of Species.

• Authors : BRINK-ROBY, HEATHER¹

• Source: Victorian Studies. Winter2009, Vol. 51 Issue 2, p247-273. 27p. 3 Black and White Photographs, 4 Diagrams, 1 Chart.

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States of Undress: Nakedness and the Colonial Imagination.

• Authors : Levine, Philippa¹

• Source: Victorian Studies. Winter2008, Vol. 50 Issue 2, p189-219. 31p. 9 Black and White Photographs, 1 Illustration.

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Landscape Parks and the Memorialisation of Empire: The Pierreponts' ‘Naval Seascape’ in Thoresby Park, Nottinghamshire during the French Wars, 1793–1815.

• Authors : SUSANNE SEYMOUR¹; RUPERT CALVOCORESSI¹

• Source: Rural History. Apr2007, Vol. 18 Issue 1, p95-118. 24p.

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Impression Henry Irving: The Performance in the Portrait by Jules Bastien-Lepage.

• Authors : Storm, William¹

• Source: Victorian Studies. Spring2004, Vol. 46 Issue 3, p399-423. 25p. 1 Black and White Photograph.

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The Mind's Sigh: Pictured Reading in Nineteenth-Century Painting.

• Authors : Stewart, Garrett¹

• Source: Victorian Studies. Winter2004, Vol. 46 Issue 2, p217-230. 14p. 6 Black and White Photographs.

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Between images and writing: The ritual of the King's Quillca.

• Authors : Rappaport, Joanne; Cummins, Tom

• Source: Colonial Latin American Review. Jun98, Vol. 7 Issue 1, p7. 26p. 7 Black and White Photographs.

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Through the Looking-glass: Colonial Encounters of the First Kind.

• Authors : Comaroff, Jean; Comaroff, John

• Source: Journal of Historical Sociology. Mar1988, Vol. 1 Issue 1, p6-32. 27p.

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The metadiscourses of postcolonialism: ‘Strong othering’ and European images of Africa.

• Authors : van Wyk Smith, M.¹

• Source: History & Anthropology. Mar1996, Vol. 9 Issue 2/3, p267-291. 25p.

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